Gagosian

L and XL Art

One of our pet peeves is the reckless abuse of scale in art. A lot of artists make their work just big enough to get into the elevators on Park Avenue. On the other hand, there are a lot of artists who make their work just big enough to get into the garage doors at Gagosian Chelsea.

The Kaws show at Mary Boone immediately gave us a bad feeling. We were amicably introduced to his “catchphrase” characters. They stood 16 feet tall but were sad and dejected. Maybe they just realized that they were being used by their creator to establish himself as a serious artist. Which is what we think he is. But is this the best way to go about it? Obviously, they were to be purchased by a museum or some large developer. We felt sorry for them. They were being abused and there was nothing we could do about it.

There is a saying artists use, “If you can’t make it good, make it big.” The line between creating XL Art for authentic reasons and creating XL Art for bombastic reasons isn’t thin. The line is as wide as a Julian Schnabel’s waist.

Thomas McManus is a writer and artist in New York City.

Richard Serra, Bully with a Beret

Dropping by the Richard Serra show at Gagosian brought to mind a Vanity Fair article. It compiled a list of the top Six Artists alive today.

Here are the results: 

      The Most-Voted-for Artists

  • Gerhard Richter: 24 votes
  • Jasper Johns: 20 votes
  • Richard Serra: 19 votes
  • Bruce Nauman: 17 votes
  • Cindy Sherman: 12 votes
  • Ellsworth Kelly: 10 votes. 

Serra’s work, 7 Plates, 6 Angles, summed up our gallery experience. The piece bossed us around just like a high school class bully. “Go here!” it demanded. “No, go over there!” “Get outta my way!” It was just itching for an excuse to do some bodily harm.

Vanity Fair reported that Richard Serra voted for himself. Which makes sense. 7 Plates, 6 Angles, has a blustery self-confidence.

After pussyfooting around the work for a while we made a beeline for the door. The sculpture shouted after us, “Hell, yah, I am gonna vote for myself!”

Artworld Confidential welcomes the writer and artist Tom McManus.

A Show About, What

Yes, yes ekphrasis ( the curators know what this means and you don't) was a big hit in terms of over 400 people, cool music and the joining of writers with artists in the dead doldrums of a harsh, cold winter. Although many of us spent the evening being shusshed in the adjoining room where some slightly inebriated artists seemed to be enjoying themselves a little too noisily. Ok. The readings went on for an hour and a half. Ok? This is a long time for all the art folks with the collective attention span of a gnat. But curator Pamela Hart did put together a cool group of writers and poets.