Tattoo Artists

Lew Alberts, Bowery Artist

"Lew The Jew"  influenced Charlie Wagner, Ed Smith, Samuel F O'Reilly and scores of other Bowery tattoo artists at the turn of the century. He was very proud of his Jewish heritage as a positive selling tool and a way to distinguish himself.  This piece was found on the back of another old tattoo drawing in a ruined frame. This chest or back piece is the only finished color drawing discovered to date, by this seminal New York tattoo artist.

This piece travels through time, bringing us back to era of long gone sailing ships relying on lighthouses to navigate the rocky shoals. Identified as by the hand of Lewis Alberts, Bowery tattoo artist. Resting tightly in the museum at Daredevil Tattoo,Bowery, NYC, where it rightly belongs.

 Don Ed Hardy's book

The distinctive shading technique, rendering of ocean waves , light house depiction and especially the signature seagulls, stylistically prove this is indeed, by Lewis Alberts.

Lew "The Jew" Alberts, pencil and watercolor on board, The Bowery, NYC, c1910

Ashton Taylor & the Dragon

We have been told this drawing is by Ashton Taylor. Ok, we said. It's a great dragon and has all the hallmarks of tattoo flash. And why do we like English artists in the tattoo world? 

From the book;  Tattoo, Secrets of a Strange Art, as Practised among the Natives of the United States , the author Albert Parry cites many British tattoo examples  "...rather frequently because of the natural proximity of the motives and historical development to those of American tattooing."  The themes, many designs and the men themselves originate from Great Britain.

 These guys could really draw. Classically trained, they would study at the Victoria and Albert Museum and the Natural History Museum in London. They also assimilated Japanese design elements.  Many immigrated to America carrying the designs with them. As a group they were a great influence on the American tattoo scene.

From Paul at Rambo Tattoo Museum, UK:
"The dragon art design you mention was from chris wrebluskey the author of many tattoo books including skin shows etc.

It came from an old tattoo art sketch book I bought of him some years back he said it was ashton taylors
It was one of three loose sheets in the book it was on display in my museum for the last 20 years before I traded it."

 Ashton Taylor piece came from this distinguished museum in London.   And a photo of this gent was tucked inside the frame. Speculation was that it might be a photo was of Ashton Taylor. Logic tells us otherwise. We think a long time ago, someone got hold of the frame and switched out the society swell for the dragon drawing. Dude looks way to mainstream comfy. Also, tattoo artists would not have the means nor inclination to wear Savile Row handmade suits.  


 

Eagles, Two Maidens and a Tiger

This article is by Chuck Eldridge at the Tattoo Archives in Winston-Salem, North Carolina. Reprinted here by his kind permission. Mr. Eldridge is a tattooist, and an acknowledged historian on the subject of tattoo history. If there is anything you want to know about the Tattoo World, Mr. Eldridge is your man.
http://www.tattooarchive.com/

George Burchett George Burchett was probably the most famous tattooist of his era, which spanned from 1890 through 1953. Tattooing in London through two World Wars, Burchett catered to both the rich London society and the poor alike.

Born George Burchett Davis in 1872 in Brighton England, George did his first “scratching” (as he described it) on his schoolmates. One of his first customers was his younger brother Charles, who at the age of four or five was wiling to pay the large fee of a stick of liquorices for the pleasure of being scratched by George.

George Burchett joined the Royal Navy at the age of thirteen and found that his ability to “scratch” was welcome. Navy discipline proved too much for the young George, so he jumped ship in Tel Aviv and did not return to Great Britain for twelve years. In order to avoid the authorities George Burchett Davis dropped his last name and became George Burchett. During this part of his life, he worked as a tram conductor and a cobbler, but continued tattooing part time. In 1900 he became a full time tattooist. During the next half century and until his death in 1953, George Burchett created one of the largest tattoo practices in the world.

Charles Davis

Charles Davis followed in his older brother's footsteps into the tattoo world, but never received the acclaim that George did. The brothers worked together and operated shops separately for many years. George and Charles were just a few years apart in their ages. It's difficult to tell them apart in photographs today, with both of them dressed in white shirts, vests and ties, and sporting well-trimmed mustaches and matching shoes! They both even liked to work in white medical smocks. Their tattooing styles were so similar that it is difficult to tell their tattoo designs apart. In later years Charles stepped away from tattooing, and in the 1950s George wrote that Charles was active in the insurance business.