Riding out the Recession with Help From Some Scary Shields

Smoking a pre-Castro Cuban while vacationing in Castiglioncello on the Italian coast, our good friend Charles suggested that we all extend our relaxing vacation and remain here, comfortably ensconsed our haunted rented villa on the sunny Tuscany coast. Safely ride out the Great Recession currently ravaging the good old US of A.  And what a great idea!  Haunted house, perhaps being an overstatement as ghosts only appeared one night in a severe dry mistral wind with no one in the 38 room manse restfully sleeping, all of us wandering at various hours unbeknownst to the others, passing each other as if in a trance, up and down the hallways of the centuries old villa, big green shutters abanging and doors flying open, various musical instruments scattered about the villa being softly plucked and the  woodwinds whistled, played by otherworldly spirits. The eyes in the old portraits followed us just like in old black and white horror movies. Ancient marble statues seemed to come to life as we floated down gravel paths through the overgrown gardens on this fully moonlit and owly night.

The local barfly Desiree D’Arbanville, former model and 60 something flower child, recalls the haunted villa well from the summer the Rolling Stones rented it and recorded the now lost tracks from Goat’s Head Soup in the hot basement; alternate tracks numbers 13 and 48, the acoustic versions (Mr. Jagger and Mr. Richards were not at those sessions).

Haunted or not, still a very good idea; hunker down overseas, kind of let the whole thing blow over. Very much an old school thing to do, like packing many large monogramed steamer trunks and embarking on a slow ocean voyage across the Atlantic in the days long gone. But as business and family matter are wont to do, our presence was indeed required back in the States. And return our friend did to his mission, his lifelong driving quest.

Charles would often go on about the siren song that called out for him to explore the rabbit warren like tunnels under an old Greenwich Village music store and find the long lost Azmat shield collection rumored to be lying forgotten in low ceilinged, spiderwebby rooms. Heralding from Irian, Java, these huge painted shields served the purpose of striking paralysis and an irresistable urge to buy something when seen by enemy tribesmen. And they did. After this important economic stimulus function, they were laid down upon on the Banyon tree roots from whence they came and within weeks said shields rotted and disappeared back into the earth. Needless to say, there are not many around these days. It’s rumored that both Larry Gagosian and Mathew Marks each have a scary Azmat shield on hand for their difficult customers.

The intrigue of this adventure does kind of grab you. It echoes the exploits of Happy and Nelson Rockefeller’s son who travelled afar to gather the collection now ensconsed at the Met. Of course Charles would want to skip the inconvenient part that fell upon the Rockefeller lad, that is, actually traveling to a remote weird island, getting lost and croaking in the jungle. So he set out on his particular adventure to the depths of Perry Street, a remote section of the “Village”. After much negotiating and hard trading over short glasses of coffee grounds with the elders of the long defunct music store, the shields did indeed become his.

Elizabeth, his charming and beautiful wife was not entirely amused. For that reason and if it were not for an untimely wager on the Euro’s rise in value against the American greenback, this fine collection would be at a top quality museum. Not where it is now, up for your approval and ultimate purchase. So, scare your art collector clients into buying something. Threaten to lay a curse upon them like sending fire ants from below if they don’t buy immediately. He’s done all the work. And PayPal is somewhat easier to deal with than headhunters.

Hot Rod King Robert Williams at the Whitney

The Voice From The Wee Gee Board.  Scholastic Designation: A Manufacturer Of Parlor Games Ignorantly Produces A Doorway Into The Spirt World Where Naivists Find Their Petty Requests Answered By Being Pulled Through A Ouija Dimension To Become Sexo-Psyche Possessions.

 Everybody makes fun of the Whitney Bienial.  But the big surprise this time is they got a couple of things right. Like the hauntingly sad photos of the returning Iraq War vet who, blown up by a crazy Jihadist’s bomb, is returning as a monster with an awful, huge reconstructed head to marry his waiting-for-him, high school sweetheart. She, dutifully committed, does indeed marry, then seperates right away. It’s too much. You can’t really blame her and seeing the photos of his return to her from the war will stay with you forever.

On a lighter note one of our favorite artists, Mr. Rbt. Williams got in. Good for you Rbt. Williams!

Even if they did choose to exhibit some limp watercolors (or maybe Prismacolors) it’s still great to see someone who actually deserves recognition get in the Whitney. His big paintings might have been a better choice but would have put all the rest of the junk in the show to shame, like the entire room given over to a stupid painted white ambulance, a college art project really, at best an Edward Kienholtz ripoff with a movie playing inside. Another video piece is by a self indulgent woman artist telling us about, what else? Herself. Kicking her way out of a little sheetrock box. Hauntingly boring.

Rbt.’s opening a few years ago was really one of the scariest I’ve ever been to, Characters in plastic goth masks, women with yellow lipstick in togas, super long black fingernails, Halloween costumed, tattooed pierced-everywhere people. I think I saw a big lizard animal being walked in as a pet. And me in my nicest golf jacket. Teasing him at this show, ok, like pulling a tiger’s tail, it was, I asked for an autrograph, got it , then said something like ‘I’m going home to put this right up on my wall!’  Whereupon he leaned in way too close, hostile like actually, and said “You take that right to the grave with you son”. A scary surprise! As he looks a lot like Mr. Rogers.

He’s an enigma who doesn’t own a personal computer and yet is the publisher of  the widely popular art magazine, Juxtapoz. Suzanne is his very sweet and likable wife, a good abstract painter on her own merit. They live in a modest house in the San Fernando Valley, some rooms are filled floor to ceiling with an oddball Kaiser helmet collection.

No one alive thinks of better titles for their paintings. No one combines fantasy with reality this well since Dali burned giraffes and dripped watches from trees. In “The Voice From the Wee Gee Board” a sweet young thing innocently ponders a move on a Ouija board, while above her, floating in another dimension, a leering, muscled sultan whispers and waits with shackles ready to whisk her off to a brand new life;  chained up as a white slave in a netherworld.

Usually lumped in with Zap comixs, Big Daddy Roth, and Von Dutch, the one glaring difference is that Mr. Williams is a really great conceptualist and a meticulous drawer. No one captures growing up in Southern California in the late 50′s/ 60′s better: Bored glue sniffing kids adrift on seas of fantasy, chicks purr with come-hither looks like cats, but not domestic cats, these are the kind of cats that would stalk villagers in the old jungle movies. Endless chopped and channeled flaming rat rods roar past abandoned taco stands down the two lane blacktops of early SoCal.

Why don’t we see more of this work? Maybe Rbt. Williams paintings only connect with middle aged guys who grew up in LA?  I think the real reason is it’s too specific for the generic mindnumbing sameness that’s so popular now. Maybe artists are too obsessed with seeking universality ’cause it sells all over town and doesn’t get slammed by critics. It’s either  inoffensive or predictable.  But according to the New York Time’s top art guy, Michael Kimmelman; this is why Hopper is so good. He’s specific and he chronicles a very specific time in a way that no one else came close to. “Art retains meanings specific to a certain time and place.” Says Kimmelman. ” Good art does, anyway ( which accounts for why too much not so good contemporary art, aimed at the global marketplace, looks generic and everywhere alike).”

So attention Whitney curators! His canvasses should be collected like all those Hopper’s you guys own, get as many as possible, at whatever price. Just get them. And like the Hopper’s, lend them to Rome for a fortune someday. But Rbt. Williams, please lose all the merchandizing website stuff , just a little too slick. All the Vans tennis shoes and giclee prints. We all hate giclee prints. They have no value and demean everything else you do. Just say no Rbt. Williams! You are too good for these phony French name Xerox copies.

This painting’s good also, the kid will soon be toast, bezapped by lightning. The details are cool like the Cub Scout shirt.  Look on his website for more. www.robtwilliamsstudio.com/

Robert Williams Complete Set of 12 Prints

Otto's Shrunken Head - One of the Best East Village DivesListening to Sergio Mendez “Brasil 66″ inspired me, you are right of course, it doesn’t take much, to find a decent Tiki Bar in New York City. For some reason all that’s left of the great ones are in places like Munich, Hamburg and SF’s Tonga Room, home of the floating barge in the indoor tropical rainstorm at the Fairmont Hotel. Germany seems to be where the last of the legendary Trader Vic’s survive and trust me, they are still very Fab! We sadly lost ours here when that awful vixon Ivana Trump tossed ‘em while shredding the Plaza.

We actually spent 18 hours in Trader Vic’s on the ground floor of the Bayerischer hof ( try saying that after a Zombie punchbowl) in Munich with an inebriated Englishman who was such a good and generous fellow that, upon our leaving, wrote us a check for One Million Pounds Sterling! I still have it, not having the heart to deposit and see if it would cash out. Blow fish, carved wood Tiki statues tastefully antiqued with a blowtorch, flaming skull mugs overflowing with Sailor’s Grog, punch me matey, for I have died and am in Heaven.

My favorite bars, in no particular order: The Subway Inn across from Bloomingdale’s- OK, not as much fun now that the mentally challanged guy who strongly resembled Elmer Fudd is gone. He would serve us for hours and hand us a bill that would total out to $1.19. Always true gentlemen, we would leave him a double sawbuck tip though. He was delighted. Next comes McSorley’s, but only good if New York Magazine or Time Out has not “discovered” it in the last few months sending droves of NYU kids in. Two beers for every order served with the waiter’s thumb in the glass. Perfect.

The Monkey Bar in Midtown is, of course, ruined now that the evil Graydon Carter and his crowd of has been celebs and wanna be’s have taken over. Chumley’s, I think, is still underwater with a stream discovered running underneath and right through the old Communist speakeasy.

So, for a Singapore Sling it’s off to Otto’s Shrunken Head in the East Village. I think it is on 14th street and Ave A, where Barmacy was, the bar in an old pharmacy store. The window display held great promise with welcoming Christmas lights, old menus, tiki mugs and coconuts made into interesting faces, although some with alarmed expressions. A Mai Tai in a tall glass, hold the umbrella, and easy on the sugar, Sugar. And there it was. Just like I like.

Although the best thing about Otto’s is the name of the establishment, the second best thing is the signature ceramic Tiki Mug. Tall, green and handsome with a shrunken head motive. But honestly, it might be better to pour the drink down a storm drain as it’s made from a bottle or packette mix and bloody awful. The patrons glare at you, the hostess is openly hostile and the waitress hated us. Perfect.

Now off to my very favorite in the entire world, although not strictly a Tiki themed bar, Vazcek’s (sp) or The Horseshoe Bar somewhere around Ave B and 6th. Where we once stumbled out to find ourselves right in the middle of the famous Tompkins Square riot! What a fun night. Here the lighting is great, many beers are available on tap, and, if served by the owner’s son, a pint of Guinness has a neat four leaf clover shaken into the foam

Bemelmens’s at the Carlyle Hotel is wonderful too. My art dealer would take me there, they would be preparing her favorite vodka gimlet cocktail before shoe leather hit carpet. Wonderful drawings of old time funny suff around New York. Make sure someone takes you though, it is not cheap.

That’s all for now. There are many other great bars in NYC but I seem to have drifted away from my central theme built around the Polynesian South Seas and I have forgotten them.

The Fuller Building“It all started when somebody wrote the “F” word on a canvas”  the famous gallery owner snarled cleaning out his fancy digs on 57th st. “Went straight downhill from there.” And that’s that. Game over. Head for the hills, the gigs up. No teeth gnashing and contemplation here. Just run for it. Said he has hundreds of paintings, can’t give them away. And his artists are Hopper, Nolde, Charles Burchfield and David Smith. Not exactly good news for the rest of us painters.

Just exactly when did the Fuller building begin to look so empty? Like something might have happened here once upon a time, it’s now dim elevator lights, tired hallways, space available! the sign sez, rug merchants sit next to dentists with shakey hands and the kind of lawyers that you hope the other guy has.

A simple flattering comment about a Lester Johnson oil brought the sales team to it’s feet. Running. “It’s listed at 28 thousand, you can have it for 18. That’s negotiable though. How about 12?” Sizing us up they were! And filter off as they apparantly were let down by all the usual tells: shoes, watch, fingernails, that transmit breeding, financial and social position. Somehow they mistook us for gallery visitors who might actually have some dough, might against all odds, be customers. “We can reframe it if you like”

Finally realizing that they might as well be trying to sell Damien Hirst lamb slices to the doorman , they went back to slumping in the once new desk chairs. No teeth gnashing here, just gloom. The clock ticked, piles of bubble wrap sighed in the corner.

And about the only time I ever almost bought something on 57th was at the Galerie St. Ettiene when they had a 36k Otto Dix mismarked at $3,000. After careful consultation with my inebriated companion we figured we had maybe 2k in the bank. Between us. Would you take 2? The sales consultant picked up the intercom phone and the big chief dealer lady bolted from the back room, ripped the price tag off the drawing and quickly showed us the door.

Green Head by Lester JohnsonAbout Lester Johnson; a really good artist. An inspiration to a lot of painters actually. Lester is ( I hope not was) does anybody know? the nicest guy in the universe. So soft spoken you had to lean in close to hear him. A wonderful and true expressionist not a bogus expressionist or Neue Expressionist but the real thing, painting tortured full frontal single image heads with black oil paint dripping down over screaming red and green base colors or over an ochre you could build a garage on. I guess he hit his stride around the New York Figurative era in the 60′s or 70′s with his signature pieces; hard shoes tromping past a basement apartment window, a row of guys in bowler hats, all of which he beat into submission on his terms and in a boxer’s rage.

Later years he kind of went South Beach with limpid females in bathing suits looking langoriously at… Nothing. I always wished somebody could have grabbed him by the ear, pulled him out of his very modest Greenwich house and for artistic inspiration, shoved him back down into a basement on the Bowery, his true and noble starting place.

And then there’s the dealer continuing to pack up for the ranch in Aspen, ready to fire sale the lot of ‘em. Luck, the one component of The Holy Trinity*, was truly gone and the place would soon lie as empty as the contents of an open suitcase on the shoulder of the New Jersey Turnpike.

*Talent, Persistance & Luck. And you can go tape that to your Luxo-Lamp, Matey!

Hair and a Teletubby

And while we are on the topic of careers in the artworld this question often appears about as welcome as a bounced check; What are the odds of having a long happy creative life?

As a young painter I once got a call from Aquarious Productions for an interview and found myself looking for said Company in a grim building squeezed in somewhere way down West 42. I climbed 4 flights of stairs bothering sweaty folks in dance studios and musicians along the way to see if anyone knew where Aquarious was. No one knew. I knocked upon an old scarred door with a wierd blue/gold triangle and a painted on eyeball, kind of  a dollar bill type symbol. The peephole darkened from within, a police lock was wrenched away. An overweight guy greeted me, stringy blonde hair reaching the shoulders of a denim shirt embroidered with a butterfly or maybe a mushroom on the front, the whole look skillfully pulled together by a giant bronze marijuana leaf belt buckle. A skinny kid who seemed to be in some sort of a trance, whacked  a snare drum roughly every 15 seconds, or so. With a beefy wave I was invited to sit on a caved in sofa next to a dead empty fishtank with a nine iron poking out of the top. I dutifully showed my art portfolio, which at this time consisted of photos of enormous paintings of industrial stuff like screwdrivers, channel locks and power drills.

“Groovy” ( I shit you not ) declared the hippie guy. He said he was trying to get Another Hit play together at a community college in Pohdunk, West Virginia or somewhere like that. Oh, said I, what was your first play? “Hair”, bespoke the playwright dude. The snare drum rattled. I could think of nothing other than to cleverly offer “Wow, that sure was a big piece of history”, as this was clearly either Rado or Ragni, I forgot which, but one of the Hair guys famous from the covers of Time and Life and, shall we say, a tad off his game? As this particular new enterprise looked entirely doomed. I got out fast.

And what should one do when the 15 minutes of fame are up?  Wait it out and suffer the bad times in the closet like an extra wide tie or a zoot suit?  Maybe get hammered and plunge your ride into a ditch Pollock style to avoid seeing your life’s work end up on formica countertops, wallpaper designs and lamp shades?  Or just Do what you want, When you want, Damn the Bollocks? Which of course can lead to the woulda-coulda-shoulda stool at the end of the Terminal Bar.

TelletubbyMy own personal theory here is that you have to be happy with where you are in life no matter what. Like I figure Billy Joel and the lady who wrote and sang the Titanic song (I forgot her name, maybe Celine? ) have roughly the same amount of God given talent. One drives cars into trees, buys 13 mil houses in Southhampton then decides he doesn’t want them anymore, weds, then divorces blonde supermodels and now, just looks awful, like a sad, bald Teletubby. On the other hand the other singer songwriter has a nice marriage going on 45 years, a lovely home in Vegas, rewarding gigs with adoring fans and is always smiling. Get it? She knows where she fits in and is blissfully happy. Billy Joel can’t figure out why he is not John Lennon and, as a result, is miserable.

Billy Joel comments on our Teletubby Post

Dear Mr. Christopher -
I just read your article where you stated that I was “miserable because I can’t figure out why I’m not John Lennon” and that this is also the reason that I “look awful, like a sad, bald
Teletubby”. For your information I look the way I look because I inherited my father’s genetic structure, and believe it or not, he’s even worse-looking than I am. I’m bald because I’m 61 years old and baldness runs in my family. I’m assuming that a Teletubby is a cartoon character and I can’t knowledgeably comment about that because Im not up-to-date on children’s television shows. Also, I am not the least bit miserable and I have absolutely no desire to be John Lennon – who happens to be dead, in case you haven’t heard. I do not “drive cars into trees”. I had the misfortune of skidding on black ice in the wintertime 5 years ago and that was the reason for my car accident.
Anything else you may have read regarding this in the tabloids is just that – tabloid journalism – which you seem to have a propensity forgleaning your information from. And the woman who you insist on comparing me to is named Celine Dion, who happens to be a wonderful singer but does not write a single one of her own songs – which I do. Therefore, your entire premise of shared talent is totally flawed. I do not “wed and then divorce blonde supermodels”. I married only one person with that description, and the ensuing divorce was not
something that was undertaken on a whim as you infer. I never bought “13 million dollar houses in Southampton and then decided I didn’t want them”. Where do you get this garbage?
Before you go insulting the way someone looks, practicing dime-store psychology and slinging mud at those you know absolutely nothing about, I suggest that you do what any competent, qualified writer would do before submitting a story: do your research, take some pride in your profession, and try to practice your craft with just a modicum of integrity. It is obvious that you don’t know anything about Celine Dion, or me – or authentic journalism.
Sincerely,
Billy Joel

A Show About, What

Yes, yes ekphrasis ( the curators know what this means and you don't) was a big hit in terms of over 400 people, cool music and the joining of writers with artists in the dead doldrums of a harsh, cold winter. Although many of us spent the evening being shusshed in the adjoining room where some slightly inebriated artists seemed to be enjoying themselves a little too noisily. Ok. The readings went on for an hour and a half. Ok? This is a long time for all the art folks with the collective attention span of a gnat. But curator Pamela Hart did put together a cool group of writers and poets.

 

Emperor's Clothes

Yogurt Lid

At the risk of being called a Philistine* or at best an ignorant art buffoon (again) herewith an opinion. The Gabriel Orozco show at MOMA, a glorious institution whose fine reputation has again been recently sullied by the idiotic show of Tim Burton's doodles, has now fallen prey to the Emperor's Clothes syndrome affecting all the contemporary showcases loosely called museums and overstuffed "important" Chelsea galleries. Any art student will roll his eyes and recite the John Cage mantra- 'art is everywhere' all you have to do is look for it.

 

What's the Next Event at Lift Trucks Project?

So far LTP has created 3 memorable events while being open for under one year. LTP is presently looking for visual artists who need a project space in the Metropolitan NY area to execute their concepts. Take a look at our site and proposal submission form to inform the curators at LTP about your idea for the LTP Space. We are looking for artists that can successfully execute an installation and promote viewing and sales.

Put that piece of crap down

The end table or candlestand you are holding from Ikea or Bed Bath and Beyond (beyond what...  shame?) drop it now, walk out of the store. You don't need this crap in your house. The stuff is made in China or somewhere and will end up in the trash bin in a year. If it lasts a year.

What you really want to do is buy vintage made in USA stuff. Then at home, figure out the surface; if you want to paint it or soften it by rubbing laquer thinner, shellack it or best of all, leave it like it just the way it is. Trust me it will add to your house, your sense of history ,where you belong in the world and will serve to celebrate the last century where Americans manufactured and made some very cool stuff. Point this out to your friends whose homes are full of shoddy Chinese made crumbling already rot. Make friends realize what dolts they are for buying stuff in these stupid big box stores with bogus "heritage" lines of furniture. Bombay store is a good example, From the wrong end of a telescope it looks ok. Then check it out up close and the awful workmanship comes through. We went to a party -big mistake-where the hostess who dramatically appeared coming cdown the stairs 1/2 hour late, walked into her room where a hired decorator put together an English Manor look. all new bogus aged trappings of abolute rubbish. Even fake books which can be cool as they save you the time reading but make you look smart. concept good. But at least get real old books which are sold by the yard sometimes.

The Machine Age

The idea isn't exactly new to us.In writing about the Machine-Age Exposition at Steinway Hall on 57th street in 1926, the catalog essay states "There is a great new race of men in America: the Engineer. He has created a new mechanical world... It is inevitable and important to the civilization of today that he make a union with the architect and the artist."